The Norwegian director broke onto the scene with Reprise (2006), a film about two aspiring writers. Like its protagonists, the film was teeming with manic creative energy. It was a fitting debut for Trier, who has since established himself as a rare literary voice in the cinematic universe. With the breathtaking Oslo, August 31 (2011), a melancholic portrait of a young man's return to society post-rehab, Trier portrayed a labyrinthine mind in order to expose the truth of the modern human condition.
from No Film School http://ift.tt/22syZCG
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